In today's installment, we look at issue #6 of Crisis on Infinite Earths, once again from the creative team of Marv Wolfman and George Perez. I think it's fair to say that thus far I've been underwhelmed so far. As much as I find the weird little continuity wonks amusing, it's not enough to make up for the the lack of narrative focus, the pretty needless padding, or the conspicuous fingerprints of editorial mandate. Today's issue has all the problems we've seen before, but I think it starts to move past them by the end of the issue. I wouldn't call this a 180 turn-around, but it is a good sign of improvement.
The cover of issue #6 doesn’t excite me. It is visually interesting, as it is a gruesome-looking cosmic android/cyborg and well-drawn, but it really doesn’t tell me anything about the issue I’m about to read. In fact, it really feels like this was alternate artwork for the Anti-Monitor's big reveal from the end of issue #5, which to be fair is a valid reason to make him a focus of this issue's cover.. But to what end? What new information does this communicate to the reader? That he's scary? I think we figured that out at the end of last issue. A close-up of Dracula can also be frightening but it doesn't tell the story the way an image of him him lunging at a victim or recoiling from a crucifix-wielding Van Helsing would be. Perhaps if he had been rendered in a medium shot, actually doing something in a way that is visually interesting and dynamic that also give us a hint of what is about to unfold in this issue, I'd feel differently, but as is, it's a portrait, not a cover. Perhaps, if I hadn’t already read the preceding issue, that might draw my attention, but since I did, all it does is offer me a second look at the big reveal from last time. The Anti-Monitor, this time in a beauty shot. The tag on the issue reads, “At last… the Anti-Monitor.” Well, at least the cover delivers on its promise.
The cover of issue #6 doesn’t excite me. It is visually interesting, as it is a gruesome-looking cosmic android/cyborg and well-drawn, but it really doesn’t tell me anything about the issue I’m about to read. In fact, it really feels like this was alternate artwork for the Anti-Monitor's big reveal from the end of issue #5, which to be fair is a valid reason to make him a focus of this issue's cover.. But to what end? What new information does this communicate to the reader? That he's scary? I think we figured that out at the end of last issue. A close-up of Dracula can also be frightening but it doesn't tell the story the way an image of him him lunging at a victim or recoiling from a crucifix-wielding Van Helsing would be. Perhaps if he had been rendered in a medium shot, actually doing something in a way that is visually interesting and dynamic that also give us a hint of what is about to unfold in this issue, I'd feel differently, but as is, it's a portrait, not a cover. Perhaps, if I hadn’t already read the preceding issue, that might draw my attention, but since I did, all it does is offer me a second look at the big reveal from last time. The Anti-Monitor, this time in a beauty shot. The tag on the issue reads, “At last… the Anti-Monitor.” Well, at least the cover delivers on its promise.
Anti-Monitor: Master of the sick burn |
Such great "show, don't tell. You don't even need Anti-Monitor's villain monologue... |
Never change, Kimiyo... |
Another character who is continually vying for the title of best character in the crossover is Changeling (or Beast Boy, I forget what his codename is at this point). Though honestly, I think if you gave half the lines he has had thus far in Crisis, it wouldn't work. The key to writing Garfield Logan, at least when Wolfman is writing him, seems to be writing him as cocky, over-confident, and more than a little bit of a hornball without ever forgetting that he's a 13-year-old boy with all the impulses and lack of impulse control that implies attempted to emulate what he thinks to be appropriate masculine behavior and failing miserably at it because he is so deeply out of his league in terms of maturity. True, today we'd call it toxic masculinity, but he's always so affable and self-deprecating about it that I'm convinced this is .
She's out of your league? Who? Pick one. |
And this is the totally non-evil Harbinger you should really be trusting.... |
Time for some interludes. I'm starting to really question why some of the interludes and cameos we keep coming back to exist. Did Wolfman and Perez simply want to give as many characters as possible a moment in the spotlight? Are they being set up in a way that will pay off by the end of the series? Or are these blatant ways to incorporate new characters and plot elements that will be incorporated into the new status quo? Time will tell.
I bet they bandaged him up with his boots still on. |
Does your method of honoring him include staying out of danger? Considering he lost his legs keeping you safe... |
The new best part of a super-villain team-up is NOT seeing them interact |
The next
major destination is Earth-X. In later years, DC must have figured 52 was a
manageable amount of alternate realities, but for now, it seems that alternate
realities were so plentiful that they have exhausted both numerical and letter
designations.
A onesie, mohawk, and gladiator sandals.
And this isn'teven the most remarkable
instance of bird-themed costuming this issue...
|
By golly, we are truly fearsome! |
Even if you ignore the personification of the U.S. government on the team, this team at least visually is very odd, at least from the perspective of someone reading nearly 30 years later. Phantom Lady, isn't odd so much as she is just plain noteworthy as being the inspiration behind The Watchmen's Silk Spectre, and the only character to serve as inspiration for the main cast who wasn't appropriated from Charlton Comics.
The Human Bomb is just a headscratcher to me because at least from what I can visually tell, he is just a guy covered from head to toe in a hazmat suit. And it's a pretty non-descript hazmat suit, compared to Marvel's Hazmat, whose look was very distinct. Then again, this lineup strikes me as having been created at a time when just showing up to fight crime in a hazmat suit you stole from the Springfield Nuclear Plant was sufficient.
He was scheduled to be grand marshal of the BDSM Pride
Parade before this crisis started
|
Black Condor's look is amazing. I get the feeling that he gets dressed in the morning not certain whether he wants to cosplay as Storm or go to the Folsom Street Fair. His costume is, as his name implies, all black (and presumably all leather), and consists of a a black (leather) gorget/neck corset and a pair of black (leather) briefs conjointed by one long (leather) harness strap. He has black (leather) mid-calf boots, and a black (leather) underarm cape that connects to black leather manacles on his wrists. I'm just going to go out on a limb as say he's probably a submissive bottom and I actually think it's great that comics has a sex positive fetish enthusiast all the way back in the 40s. Innocent times, I guess. Although, today seeing a member of
the fetish community dressed up as Beyoncé would probably be just as adorable.
Of course, the Earth-1/2 rescue party meets up with the Freedom Fighters and the fists start flying. This is a superhero comic. That's the rule. You might think that this is your classic superhero misunderstanding: punching
and quips now, questions later. But no, this is different and the Freedom
Fighters don’t seem to be pulling their punches. In a post-Batman v Superman and Captain America: Civil War world (I'm guessing I'll need to share my thoughts on them eventually), a casual reader might just assume superheroes just engage in brutal, no holds barred combat as a matter of principle, but this is not the case. In fact, some of the away team are friends with the Freedom Fighters. But the FF and the rest of their world's population seem to be raving mad, both uses of the word mad being in play.
Soon we see why, as the
Anti-Monitor has amped up Psy-Pi’s powers to the extent that he feels like his
mind is going to explode. He is still bathed in the light that Anti-Monitor
used to empower him, no irises in his eyes and upon a closeup of his face, the
three remaining Earths are seen with energy crackling around them. It’s pretty
effective, if a bit over the top, which is the series’ calling card.
It'll be like overloading a battery... except with brains splattering on the wall. |
On Earth-4, Martian Manhunter, Jay
Garrick, Katana, a golem-like man named “Blok,” and a winged guy I think might
be Earth-2’s Hawkman arrive and start surveying the terrain. Possibly Hawkman
flies up to get a better view when the Blue Beetle’s ship, Bug appears overhead
and Possibly Hawkman is bombarded with an energy blast with an atomic energy
signature. The assailant, Captain Atom flies from Bug, accusing them as the
ones who kidnapped Blue Beetle in the first issue of the series.
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This is your sandbox, Wolfman & Perez. I shouldn't be the one telling you how this works. |
Again, Marv Wolfman really sucks at
his own continuity, let alone DC’s big, sprawling multiverse, so why is he in
charge of this project? Back in issue #1, The Monitor established that all the
heroes he assembled were from Earth-1 and Earth-2. Were they making this up as they went along? It's not like they could have not known he wasn't from one of their main universes because half what what this entire project was explicitly attempting to accomplish was to fold characters from the various extraneous licenses DC had acquired into the main universe. After all, Wolfman stated in the forward to the Absolute Edition of Crisis that he researched continuity for years before writing and certainly an editor would have caught that right? That is... unless Wolfman was editing his own work. Sigh. Of course.
It looks like that partnership in Nite-Owl and Rorschachs' backstory was inherited from their spiritual ancestors. |
Even so, while the footnotes
establish that this Blue Beetle was the one recruited by Harbinger, Blue
Beetle’s account doesn’t quite add up, making it sound like all he’d
experienced was an ominous story, but for some reason knows that the heroes
sent here are there to destroy his world. This since the story’s internal
continuity is clearly fucked to hell, so I’m just giving up and going with it.
What is clear is that the denizens of Earth-4 are under the same malevolent
influence as on Earth-X. From here on in, it’s a repeat of the previous scene.
Heroes battling decidedly irrational villains with blatant name-drops just in
case we need them. Additional Charlton characters include: Nightshade,
Peacemaker, Judo Master, Thunderbolt, and The Question (sidebar: play a fun game of "spot the Watchmen analogue in this scene), who seems to be the
only character native to Earth-4 who has caught on to the fact that their very
emotions are being manipulated to self-destructive ends. Meanwhile, Harbinger
can again be seen on the horizon.
Which is the bigger mystery: where'd they go or who the fuck is she? |
We take a break from the same damn
basic story on the three unsecured Earths to visit rapidly merging Earths-1 and
Earth-2. Under the sea and Aquaman and company are despairing because as the
Earths draw closer to merging, their cities are getting displaced, replaced
with Earth-2’s version of the landscape as their vibrational walls thin out.
Sea Master and Black Manta watch Aquaman at a distance as they plot sinisterly.
In turn they are being watched by a white haired girl in cut-off shorts named
Dolphin (who seemingly is all on her own and lacks her memories), but then they
suddenly disappear. I’m betting Sea Master and Black Manta are ending up with
Brainiac’s crew. I doubt Dolphin will be relevant to the story again.
Um... what's to stop people from going around that thing? |
Finally, we are at the third padding
tactic unsecured reality, on Earth-S. Supergirl, Changeling and Kole from
the Teen Titans, Wonder Woman, and Black Canary in a truly unfortunate ensemble
(I’m going to start a running tally on best and worst costumes in this series) make
up this away team. Again, there is a huge throng of people making a beeline for the anti-matter, but Kole uses her apparently crystal-based powers to throw up a gigantic sheet of crystal around the opening of the field. Of course that makes me wonder if the field is stationary or will absorb the crystal in a few minutes and render her efforts moot.
I don’t know what else Fawcett Comics had to offer, but they
most certainly did have one big nut on offer: Captain Marvel, better known
today as “Shazam” for the purposes of copyright laws. I’m going to ignore the
whole “blah blah blah they’re under mind control” recap because that’s a given
at this point. I know the idea of a boy who turns into an adult superhero is
silly by today’s standards, but I didn’t know just how splendidly silly it got
until I espied his sidekicks: Mary Marvel, Captain Marvel Jr, and the resplendent Uncle Marvel. Ye gods,
we’ve reached a new plateau of hokey. I don't know what's sillier-- the Marvel family or the fact that Mary Marvel and Captain Marvel Jr seem to be a match for Wonder Woman, but are no match for Black Canary's track suit. Thank you for this moment, Wolfman & Perez!
The Marvel Family: action figures sold separately |
Dea ex Machina |
One more Earth for Olympic Rings Formation... |
On Earth-2, Power Girl, Johnny
Quick, and Green Lantern are working with villains, Star Sapphire, Per Degaton,
and Deathbolt. Suddenly all three of those villains vanish into thin air. Hm. I
wonder where they possibly could have ended up…? Lyla and Alexander float
around the netherverse on an asteroid, pondering their next step. Back in
Wildcat’s hospital room, Yolanda has made some alterations to his costume and
leaves, once again by window, taking on his mantle as the new Wildcat.
My thesis for this installment is that DC is positively riddled with animal-themed superheroes with bafflingly dumb looks. Ye gods, that muzzle... |
This has nothing to do with anything, but I'd feel like I cheated you if I didn't let you know this happened. |
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